NEW YORK – A noted American company is producing an opera on the life and legacy of Benazir Bhutto Shaheed, the former prime minister of Pakistan who was assassinated in 2007.
Created by Mohammed Fairouz, an eminent Emirati-American composer, and Mohammed Hanif, an award-winning Pakistani novelist, the opera titled “Bhutto” will premier in Pittsburgh, Pennsylvania next year.
“The opera focuses on Benazir Bhutto’s extraordinary life and the influences upon her, and the effect that her stand for women and their ability to lead has had on the world stage,” Pittsburgh Opera General Director Christopher Hahn was quoted as saying by The Pittsburgh Post-Gazette.
The Post-Gazette reported early in 2016 that Pittsburgh Opera had co-commissioned the opera about the life of Benazir Bhutto which was intended to premiere in 2018. The premiere was quietly pushed back for financial and artistic reasons; it is now set to debut in the 2019-20 season.
Composer Fairouz was quoted by The Pittsburgh Post-Gazette as saying that he began thinking about the Bhutto story six years ago.
“Everybody has an opinion about Bhutto,” Fairouz said. “It’s often very personal, very passionate. As a composer you feel compelled to do something — and then you’re like an animal sniffing at truffles trying to uncover why it’s interesting.”
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“When you write an opera, you have to start with research to find out why the story or idea compels you so much.”
“I knew nothing about opera of classical music,” Hanif said. “I was, of course, familiar with Bhutto as I grew up living in that reality. Growing up, you either loved them or hated them…
“As soon as [Mohammed Fairouz] suggested Bhutto as an opera I said yes. It’s a bizarre story, really over the top for a novel. The father was hung, one brother poisoned, one brother shot … It’s a perfect fit. Really, each family member could have their own opera.”
“We’re telling a story,” Hanif said. “It’s a family story that centers on power. It’s not intended to be divisive, but it’s political, so of course, it will be. But that’s not a bad thing.”
Fairouz, 30, a rising star in the opera world, was described by The New York Times as “an important new artistic voice” and by the BBC as “one of the most talented composers of his generation.”
